2019 CT+CR Fall Colloquium and Artist Residency @ Caldera
Dates: Wednesday, November 13-Monday, November 18, 2019
Theme: “Welt and Umwelt”
Faculty: Anne-Marie Oliver, Barry Sanders
Chefs: Johanna Glaser, Jed Thaggard, Gather around Nutrition
Participants: Erika M. Anderson, Emma Biggerstaff, Laura Grace Dodd, Emily Hyde, Pat
LeGates, Maria Fernanda Nuñez, Cristal Otero, Leif Shackelford, Nicholas Tarter,
Joshua Trottier, Carina Vowels
Schedule, 2019 CT+CR Fall Colloquium and Artist Residency @ Caldera
BIBLIOGRAPHY
Seminar 1
Jules Michelet, Epilogue: "Marriage with Mother Death," Mother Death: The Journals of Jules
Michelet, transl. and ed., Edward K. Kaplan, 203-211
Gaston Bachelard, “Reveries of Material Interiority,” Earth and Reveries of Repose: An Essay on Images of Interiority, 5-43
Jakob Johann Freiherr von Uexküll, selections from A Foray into the Worlds of Animals and
Humans, with a Theory of Meaning: Introduction, 44-52, “Environment Spaces,” 53-
70, “Perception Time,” 70-72
Rachel Carson, selections from Silent Spring, “The Obligation to Endure,” 5-13, and “Surface
Water and Underground Seas,” 38-51
Nathaniel Rich, “Losing Earth: The Decade We Almost Stopped Climate Change,” New York
Times Magazine, August 1, 2018
Seminar 2
Paul Hawken, ed., selections from Drawdown: The Most Comprehensive Plan Ever Proposed
to Reverse Global Warming: “Forest Protection,” 108-109; The Hidden Life of Trees,”
130-131; and “Afforestation,” 132-134
“Summary for policymakers of the global assessment report on biodiversity and ecosystem
services” (39-page advance version of the UN-backed report on climate disaster)
Seminar 3
Hannah Arendt, “Universal versus Natural Science,” The Human Condition, 268-272
Hannah Arendt, “The Rise of Cartesian Doubt,” The Human Condition, 272-280
Theodor Adorno, “Natural Beauty,” Aesthetic Theory, 61-78
John Burroughs, “Our Rural Divinity,” Birds and Poets, 135-158
Wendell Berry, “The Loss of the Future,” The Long-Legged House, 47-65
Theodore Roszak, "Fair Bet . . . Cruel Trap," Where the Wasteland Ends: Politics and
Transcendence in Postindustrial Society, 164-201
Arne Naess, “Spinoza and the Deep Ecology Movement,” The Selected Works of Arne Naess,
Volume X, 395-419
Felix Guattari, The Three Ecologies, 27-53
Alan Weisman, “Art beyond Us,” The World without Us, 245-254
FILMOGRAPHY
Jean-Jacques Annaud, The Bear (France, 1988), 94 minutes
Jacques Cluzaud, Michel Debats and Jacques Perrin, Winged Migration (France, 2001), 98
minutes
Gabriela Cowperthwaite, Blackfish (USA, 2013), 83 minutes
Robert Joseph Flaherty, Nanook of the North (USA, 1922), 79 minutes
Ron Fricke, Baraka (USA, 1992), 97 minutes
Ciro Guerra, Embrace of the Serpent (Colombia, 2015), 125 minutes
Davis Guggenheim, An Inconvenient Truth (USA, 2006), 97 minutes
Mike Gunton and Martha Holmes, One Life (United Kingdom, 2011), 85 minutes
Werner Herzog, Aguirre, the Wrath of God (Germany, 1972), 94 minutes
Werner Herzog, Grizzly Man (USA, 2005), 104 minutes
Shohei Imamura, Black Rain (Japan, 1989), 123 minutes
Luc Jacquet, March of the Penguins (France, 2005), 80 minutes
Akira Kurosawa, Dreams (Japan, 1990), 119 minutes
Chris Marker, Sans Soleil (France, 1983), 100 minutes
Hayao Miyazaki, Nausicaä of the Valley of the Wind (Japan, 1984), 117 minutes
Gary Null, Saving the Planet, One Bite at a Time (USA, 2015), 71 minutes
Steven Toll Okazaki, White Light/Black Rain: The Destruction of Hiroshima and Nagasaki
(USA, 2007), 86 minutes
Sean Penn, Into the Wild (USA, 2007), 148 minutes
Andrei Tarkovsky, Stalker (Soviet Union, 1973), 183 minutes (original cut: 205 minutes)
Béla Tarr and Ágnes Hranitzky, The Turin Horse (Hungary, 2011), 146 minutes
Lars von Trier, Antichrist (Denmark, 2009), 108 minutes
Lars von Trier, Melancholia (Denmark, 2011), 135 minutes